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If you commit to using this system you really want to have a very big amount of cash and awesome fortitude to leave when you realize a tiny win. For the benefit of this essay, an example buy in of $2,000 is used.
The Horn Bet numbers are not always considered the "winning way to compete" and the horn bet itself has a casino edge well over 12 %.
All you are wagering is five dollars on the pass line and a single number from the horn. It doesn’t matter if it is a "craps" or "yo" as long as you play it at all times. The Yo is more prominent with players using this system for apparent reasons.
Buy in for $2,000 when you join the table but only put five dollars on the passline and one dollar on either the two, three, eleven, or twelve. If it wins, excellent, if it loses press to $2. If it loses again, press to $4 and continue on to eight dollars, then to sixteen dollars and following that add a one dollar each subsequent bet. Each time you do not win, bet the last amount plus a further dollar.
Adopting this system, if for instance after fifteen rolls, the number you wagered on (11) has not been thrown, you probably should step away. However, this is what possibly could develop.
On the 10th roll, you have a sum total of one hundred and twenty six dollars in the game and the YO at long last hits, you win three hundred and fifteen dollars with a take of $189. Now is a perfect time to walk away as it’s a lot more than what you joined the game with.
If the YO doesn’t hit until the 20th roll, you will have a complete bet of $391 and seeing as current bet is at $31, you amass $465 with your gain being $74.
As you can see, employing this system with only a $1.00 "press," your take becomes tinier the longer you play on without hitting. That is why you must walk away once you have won or you should wager a "full press" again and then continue on with the $1.00 boost with each toss.
Crunch some numbers at home before you attempt this so you are very adept at when this approach becomes a non-winning affair rather than a winning one.
